Women's Art of Telling Li(v)es: Female Artist Figures in Margaret Atwood's Alias Grace and The Blind Assassin

2012 | book part. A publication with affiliation to the University of Göttingen.

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​Women's Art of Telling Li(v)es: ​Female Artist Figures in Margaret Atwood's Alias Grace and The Blind Assassin​
Glaser, B. ​ (2012)
In:​Pankratz, Anette; Puschmann-Nalenz, Barbara​ (Eds.), Portraits of the Artist as a Young Thing in British, Irish and Canadian Fiction after 1945 pp. 91​-112. ​Heidelberg: ​Winter.

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Authors
Glaser, Brigitte 
Editors
Pankratz, Anette; Puschmann-Nalenz, Barbara
Abstract
The author is dead; long live the author. In a time when discourses, words and structures determine the discussion about literary texts, paradoxically, the figure of the artist looms large in novels, short stories, movies and plays. In a “post-Barthesian age” (Scherzinger) the figure of the artist is ascribed more and more significance. While the portraits of the artist as a young man are well-researched and documented, female artist figures in literature(s) in English are still more or less neglected. This volume of anglistik & englischunterricht attempts to fill the gap. The focus of the essays lies, firstly, on the (de-)constructions of gender, secondly, the complex self-reflexive functions of the artist figures and, thirdly, on the negotiations of cultural faultlines.
Issue Date
2012
Publisher
Winter
Organization
Abteilung Anglistische Literatur- und Kulturwissenschaft 
ISBN
978-3-8253-6059-7
Language
English

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